The Film Eating Disease

Today I decided to go back to a topic I have already blogged about twice before.  But this topic, like an itchy rash, refuses to go away.  This week in particular, through several conversations with Aussie screenwriters and filmmakers, this topic came oozing back full force, seeping through the cracks of my life like a toxic gas.  I am referring to the mental condition that seems to be slowly eating the Australian film industry.

I have talked before about the Aussie tendency to self-deprecate, and the tall poppy syndrome that leads them to chop down anyone who achieves international celebrity status.  It also makes Aussies tear apart their own films before they are ever even released, occasionally while they are still only screenplays.  It leads to the countless questions I get as to why I, a hopeful filmmaker, would rather be here than in LA.  And it keeps Aussies from seeing the huge filmmaking advantages they have right at their fingertips.

One of those advantages is government support.  People might not agree with all the decisions the state and countrywide film commissions make.  They might see favoritism triumph over quality in the films they choose to support, but that is no different than what you will find in Hollywood funding.  Favors and mutual back scratching are rife in the film industry, regardless of country.  But to have the country itself support filmmakers, is a rare gift.  Unfortunately, the Australian film commissions suffer from the same itchy rash that all their filmmakers do.

I’ve heard enough now to be sure that almost every development grant, almost every program created to support up and coming Australian filmmakers, sees at least some, if not all of its money to go the film industry in LA.  Script assessors in LA are hired over Australian ones to consult on development.  American filmmakers are flown out to give short talks at a cost that would probably support several Australian filmmakers for week long seminars.  And high priced internships are set-up to send young filmmakers to LA to learn the “tricks of the trade.”  No one seems to realize the detrimental message this is sending to Aussie filmmakers countrywide.  The government itself is practically shouting at the top of its lungs; “We’re just not good enough!”

sis_shout

That message is so deeply ingrained into minds of the filmmakers who would be receiving those grants, that most of the conversations I had this week sounded something like this:

Me – “The Australian government is basically paying to support California’s dying economy.”

Aussie – “Maybe the idea is to come back with all the knowledge from working in LA and apply it to Australian film.”

Me – “$50,000 for six months in LA!  Who are they kidding?  You’re never coming back!”

Aussie – “Probably not.”

Or this gem:

Me – “The government shouldn’t be giving away loads of money to spend overseas.”

Aussie – “No, it would be better spent paying the experts to come here.”

Me – “What!  That’s still spending money somewhere else.  That’s still saying that LA has something that you can’t get here.”

Aussie – “The government would probably spend more money here, if Australian films weren’t so bloody bad.”

Me – “You don’t think a bad film has ever been made in LA?  GAH!”

(There may have been a few drinks involved with that conversation)

LA may be where the film industry started, but that is by no means where it ended.  Film is an international art, reaching audiences worldwide.  And in places like India, China, Korea, Europe and the UK, filmmakers function in entirely autonomous filmmaking communities.  Sure, some French filmmakers probably want an Oscar as much as everyone else does, but do you think the French would ever say “better learn how to make movies in the US, they’re better at it.”

Academy Award Winner

The vision, the passion, the talent and the money to make the world’s best movies, all exist in Australia.  The only thing holding Australian filmmakers back, is themselves.  The best thing they can learn from Los Angelinos is the self-important attitude that makes reality TV stars think they’ve accomplished feats worthy of a Nobel peace prize.  If Australians do go to LA, it shouldn’t be to learn, but to teach Los Angelinos what humility actually means, and how to just generally tone it down.

I am watching Baz Luhrmann’s Australia as I write this.  I won’t argue that it’s filmmaking genius, and it’s certainly not to everyone’s taste, but no one would disagree that it’s a sumptuous film of epic proportions.  It’s undeniable evidence that Australian filmmakers can go so far beyond believing “we’re just not good enough” that they gain the ability to say “I can make any film I bloody well please.”  It’s about time Aussies start approaching film as they do sport, with voracious attitude and no fear of losing a few teeth.  I know they can do it, and if they don’t believe me, maybe they’ll believe Oprah.  Thanks for visiting Queen O.  Here’s hoping you inspired a few other people to aim to light up the harbor bridge one of these days.  I know I will, after all, I’m an egocentric American girl from LA.

Coming Back

This post about my trip back to the States is long overdue, very much because of the aftermath of the trip itself.  Having traveled to five different cities in two different hemispheres in the course of just over two weeks takes its toll, even when your trip is for pleasure.  My inner journo has been stifled by exhaustion, illness, seasonal confusion, followed by the desperate rush to finish everything I was unable to accomplish while I was in my post-travel daze.  But I write this now with an open schedule and a clear head, newly readjusted to the gravitational pull of the Southern Hemisphere.

A few observations from the flip side:

American money IS really boring.  I had heard that before but could never really relate.  It also feels substantially less robust than Aussie money.  Perhaps currency reflects culture in more ways than intended.  But you certainly spend a lot less of it.  My idea of a reasonable price is so far from what it used to be.  Shopping at certain outlets and chain stores felt almost like getting away with theft.  I guess there is something to be said for a mass consumerist culture.  Although, taxes and tipping sucks a bit.  Go easy on the foreigners who might shortchange you.  They probably just come from a culture with a more straightforward billing system.

Driving on the other side of the road only seemed a little strange when I was on a new road.  It created a particularly strange sensation while on a road lined with eucalyptus trees though.  Coincidence?  I think not.

Changing seasons on the way there was not particularly hard, but coming back to winter is quite a depressing experience.  If the cold doesn’t get to you, then the lack of light does.  We came back to Sydney on the shortest day of the year after having been in a city where it was still light at 8pm.  Luckily the days can only get longer from here.

My Many Homes:

Going back to LA felt the same way it always has.  I guess I’m used to coming home again, even if the trips happen less frequently than they used to.  But this was the first time I have ever gone back to New York and not been returning to my own humble abode.  I can only describe the sensation of going back like that of reading a book or seeing a movie that you loved as a child but haven’t been exposed to for many years.  You remember the major plot points, the characters and how it ends (usually with a slice of pizza at 2am on a Sunday) but you’ve forgotten little details here and there.  I’d see certain street corners, overhear conversations on the subway, get trapped in the stampede of a deli lunch rush and find myself thinking, oh yeah, I remember that.

It was also louder, more congested and just generally more insane than I remember.  I guess after living there for enough time you develop the ability to shut out everything but what you need and want to hear, see and even smell, then lose it after spending some time away.  But I muscled through overstimulation with the iron will (and stomach) of a true New Yorker.  Yeah, I’ve still got it.

The bagels are amazing, the cocktails are generous, the pizza is rich and delicious and the coffee sucks.  But it tastes like no other coffee in the world.  That slight hint of burnt metal and taste of grounds that have spent weeks at the bottom of the machine is a flavor I fondly associate with the Big Apple, ode de health violations.  I also thought I walked plenty in Sydney, but I realize now that no creature on earth walks as much as a New Yorker.  It took wearing holes in one pair of shoes and my only pair of feet before I got my city legs back.  Aussies will be able to swim around the planet when the polar ice caps melt but until then they’ll never beat a New Yorker in an endurance walk.

But perhaps the most surprising thing about going back home was the fact that it made me really feel how much time has passed since I’ve been back.  When you move to a new country, how you feel and what you experience tends to change every few weeks.  Excitement becomes culture shock, because excitement again.  New experiences become everyday life.  Odd becomes normal and eventually your new environment becomes your new home and before you know it an entire year has passed.  But for the people you left behind, the people whose lives now have one less person in them, they seem to have felt every day pass.  You can tell by how tightly they hug you when they finally see you again.  You can see it in the tears they can’t hold back when you have to say goodbye for another year.  It suddenly becomes much harder to leave than you thought it would be.

But because of all those people, both East coast and West, I now have more than one place to call home.  As hard as it is to be separated by time zones and hemispheres, I know I can not only always come back but that I will also always be welcomed.  I’ve felt so much at home in two vastly different cities now, that  when people here ask me where I’m from I have trouble deciding what to say.  And I wouldn’t feel that way without the people I have so much trouble prying myself away from.  So I consider myself lucky, exceptionally lucky.  And if I continue to be as lucky as I am now, maybe I’ll have a third city to call my home.

Back to Counterclockwise

One year and ten or so days later we return to our homeland.  Not for good, but just long enough to readjust to the time zone and the gravitational pull in the Northern Hemisphere before having to zoom back again.  I’m curious as to how much culture shock I might experience on the flip side of the planet.  One may think it only happens when you come to a new place, and indeed many people have said that Sydney must have been such a contrast to New York.  It is, but it took a long time for all the subtle differences as well as the sames to become apparent.  That’s because when you come to a new country everything is exactly that, new.

Now, I’m going back to two different places that I’ve called home for most of my life and I wonder if all the commonplace everyday things that I once took for granted are going to stick out like the peaks of the Opera House.  Will the LA traffic finally seem as ridiculous as I know it really is?  (although Sydney has its fair share of congested arteries as well.)  Will NY actually seem like the densely, jam-packed pickle of an island I had once been so accustomed to?  Will I experience a sense of relief at finally no longer being the one with the accent?  At least no one will think I’m Canadian.

I’ll report my findings upon my return to the land of Oz.  Until then, I’ll be enjoying a literal change of season. Cheers!