It’s only recently that people have stopped asking me what I do each day.  The idea that I did not have a job, in the classic sense, lead them to believe that I must be spending each day wandering about in a state of idle purgatory, somewhere in-between lounging on the beach and constantly running from one job interview to another.  People are starting to get it now, starting to understand that not only do I fill each day quite richly and productively (some more than others) but that I am, in fact, so busy that I frequently don’t even have weekends to use for said lounging.

Substantially harder to explain is why I choose to do what I do.  Life would certainly be easier if I had a paycheck handed to me every once in a while (which is one of my aims).  And it would be substantially easier if I simply chose to do less.  I don’t have to volunteer to design yet another short film that only the festival geeks will ever see.  I don’t have to set a deadline for my next screenplay since I’m worlds away from having an agent breathing down my neck for it.  So why do I?

All people are driven to step beyond their obligations to simply exist and procreate by different reasons.  It can be to stave off boredom, to release a subconscious desire, to answer the call of the muse, or the desperate need to be able to look back on their lives and say “yeah, I did that.”  For me it is both all of those reasons and none of them the same time.  It’s a voice that tells me that I will accomplish something great.  It’s the visions of me attending my own premiere, being interviewed by an iconic figure and yes, being handed awards.  Above all that, it’s the idea that I will watch a compelling story that I helped to create, play out before my eyes and still get from it that same sense of amazement and wonder one only seems to touch in the early years of childhood.  It is want.  It is desire.  It is drive.  It is need.

I can only relate this intangible concept to one tangible object: Michelangelo’s Rondanini Pietà.  Never heard of it?  I’m not surprised.  It was the last piece Michelangelo was working on up until a few days before his death, and it was never finished.  What remains of this marble block is only the sinewy ghosts of Mary and Jesus, and one nearly finished arm, polished to a shine but completely dismembered from any body.  This hacked apart marble block could never have become a completed work worthy of the master’s reputation.  Nonetheless, seeing it nearly brought me to tears.  Michelangelo worked on this sculpture up until a few days before his death at the unheard of age of 89.  Driven by whatever his need was, to touch the divine, to step beyond the mortal plane and out of his pain-ridden mortal body, or to perhaps leave a piece of his soul here on earth, he just had to keep working.  In that dismembered arm, the shadowy faces in the stone, the jittery marks of an unstable chisel, I could feel that need, that driving force to create that was so strong it became destruction.

So I keep chiseling.  I answer my muse.  I let my subconscious take the driver’s seat.  I am far from bored, and someday I will look back and say “Wow, I did that!”  I just hope I know when to stop chiseling.  Even if I don’t, someone may look at what I created and see beautiful destruction.  I leave you with the words of the master himself.

Only with fire can the smith shape iron
from his conception into fine, dear work;
neither, without fire, can any artist
refine and bring gold to its highest state,
nor can the unique phoenix be revived
unless first burned. And so, if I die burning,
I hope to rise again brighter among those
whom death augments and time no longer hurts.
I’m fortunate that the fire of which I speak
still finds a place within me, to renew me,
since already I’m almost numbered among the dead;
or, since by its nature it ascends to heaven,
to its own element, if I should be transformed
into fire, how could it not bear me up with it?
- Michelangelo Buonarroti 1532