The Sydney Harbor Bridge, A Photographic Journey

Rather than spend yet another few hours at the gym yesterday, I decided it would be more fun to get my exercise crossing The Sydney Harbor Bridge. I certainly wasn’t alone in that thought, and I certainly exerted far less effort than all the other people jogging, biking and even powerwalking the path. But it was still a very worthwhile trip, even if I didn’t burn some serious calories.

On the Bridge

The first thing it’s important to note about crossing the bridge, is that even though the walking path is pretty seriously walled in from the traffic on one side, and the harbor on the other . . .

Caged In

. . . it’s still not a place for people afraid of heights.  Not only can you see straight down the entire time, but the ground under you also jiggles like a SoCal aftershock every time a train goes by.

The View Down

I bet most people also don’t know that you can climb to the top of one of the pylons, for a mere $9.50 (sorry there are no pics from there, because I didn’t have that much on me) which sure beats the nearly $200 that people pay every day to climb to the top of the arch, and doesn’t require you to wear the “bridge colored” jumpsuit, or be chained to a group of your fellow climbers.

Bridge Climbers

The $9.50 (if you happen to have that money handy) will also get you into a little museum inside the pylon, about the building of the bridge.  But I got a little taste of what the museum had to offer on the stairs leading to the entrance.

Inside the pylon

All in all, I would call the bridge crossing a very worthwhile journey.  Especially since all the postcards most souvenir shops here sell are a bit on the cheesy side, and the bridge offers you a great opportunity to take a few of your own.

Postcard Shot

You can check out the rest of the shots from my journey on my Flickr page.

Foreigners and Placeism

It didn’t take very long, and probably mostly because of my extraordinary ability to absorb media, to adjust to the Australian accent.  On a day to day basis, I can have several conversations, watch countless awfully produced televisions ads and read signs that say “speed hump” without thinking twice about it.

The only things that still throw me off are two particular Australianisms.  One is “How you going?” the Aussie’s way of saying “How are you?” “What’s up?” or “How is IT going?”.  And even though I can answer the question without hesitation, it still incites in me a desire to respond with what my American instincts would consider a misuse of grammar like, “I go fine”  or “It be well”.  And the other one the induces a bit of a shudder when I hear it is “Ta” yes, just “Ta.”  I think it’s a shortening of “That’s alright” which is the common response to “Thank you” out here, along with “No worries” which reminds me a bit of the Americanism “No problem” (an expression hammered out of my vocabulary long ago, by a boss who wouldn’t stand for the lackadaisical “Jamaican” nature of the response, and preferred the much more gracious “You’re welcome” (that’s still what I always say)).  But “Ta” like the Hawaiian “Aloha” also seems to mean thank you, hello, goodbye, and many other things I’m sure I haven’t figured out yet.  Personally I prefer “cheers”.

So since my daily interactions with Australians, are only peppered by the occasional language confusion, I forget that I am now the one with the accent.  It only takes one or two sentences before they ask “Are you on holiday?” or get more straight to the point with “Where are you from?”.  It’s easy to forget I’m a foreigner.  Sydney is like an odd collection of the neighborhoods I know from LA and NY, in look, pace, lifestyle and culture.  So unlike when I lived in Italy and felt as obviously American as I’m sure I looked (not that I wore a Mickey T-shirt or anything, but come on, the Europeans know Americans when they see them) I expect to blend in here like a eucalyptus tree.   And I pretty much do, until I start talking.  It’s then that I get a taste of what I’m sure every immigrant in the States gets at one point or another.  It’s pretty interesting being on the flip side of those accent induced conversations.

The other outsider viewpoint that being a foreigner has made me privy to, is an objective look at the practice of placeism.  Placeism, like all isms, is a bad thing, yet it is one that we accept into our everyday lives because it victimizes places, rather than people.  I myself have been guilty of placeism on many occasions.  It’s why I stopped telling people I was from Beverly Hills, often inducing drawn out conversations that go a little like this:

“Where are you from?”
“LA.”
“Where in LA?”
“West LA.”
“What part?”
“About 20 minutes from the coast” (45 by today’s traffic standards)
“Which area?”
“Between Hollywood and Santa Monica.”

That’s when people who know their maps would figure out I just covered a pretty large area of the city, and I would have to admit the truth, which was usually followed by:

“No, there is no West Beverly High.  I live in 90212 NOT 90210.  And no, I didn’t get a BWM on my 16th birthday.  But yes, I know people who did.”

I felt justified in my defensiveness, because judgements were often placed upon me because of where I was from.  And why shouldn’t they judge?  We all do.  But since I’m no longer in a place where I get why people from New Jersey say they are from New York (you’re really not), and us blue state residents feel compelled to make fun of the red states, I can tell you first hand that placeism is pretty pointless.

The Australians I’ve met have either vehemently defended where they were from, or preemptively made fun of it before anyone else could.  Each city seems to come with it’s only set of preconceptions.  Sydney is the urban active city, Melbourne following as a close second, while Brisbane and Adelaide are considered country, and Perth might as well not even been on the map.  Or at least, that is what I have gathered from these conversations, although I can’t really remember, because I don’t really care.  I came here completely free of any knowledge or preconceptions about any part of the country, and very willing to experience every part of it, good and bad.  So when people begin to launch into conversations about which places are dodgy or where the bogans live, I usually zone out because, in reality, I’d prefer to find out for myself.

So the next time you meet a foreigner, even if they seem to think that all Texans are George W. Bush, and all Californians are Paris Hilton, instead of launching into a well practiced diatribe in defense of your hometown, give them a chance to figure it out for themselves.  I, for one, will stop hiding the fact that I’m from Beverly Hills.  They can figure out for themselves that I don’t have a trust fund.  It shouldn’t take long.

My New Favorite Place

This is the theater where we saw Harry Potter and the Half Blood Prince (which, by the way, was awesome).

The Orpheum

And this is what it looked like about fifteen minutes before the show started.

Orpheum Seats

So, not only did the Hayden Orpheum Picture Palace offer a pleasantly uncrowded movie going experience (unheard of during the opening weekend of any Harry Potter movie) in a graceful art deco theater, but also many other amenities not standard to the popcorn scented cattle corrals I’m used to seeing movies in.  If you’re going to pay $17 for a movie, which is pretty standard out here for any movie, not just the IMAX or special screenings one might pay that much for LA or NY, it might as well be here.
Instead of standing in line so long you inevitably sink to the rash producing carpet below, and spend your time contemplating how much uglier the dizzying pattern could possibly get, you instead sit on a velvet couch under the flattering light of well proportioned stained glass fixtures, and sip a glass of wine while you wait for the theater doors to open.  No one was playing the white piano perched in the corner of the room while we were there, but I’m sure the theater finds occasion to use it.

As you walk into the theater, you can take the time to appreciate the decor, instead of stomping off the shoes of several small children in your attempt to beat them to the good seats.  And once you’re in a well appointed seat,  you won’t be subjected to the same loop of badly animated ads and movie trivia questions (Yes, I already knew that Whoopi Goldberg worked in a funeral parlor).  For pre-show entertainment, the Orpheum opts for songs masterfully played on the impressively complicated Wurlitzer pipe organ.  I was already impressed by the decoration, so the fact that the organ rose from the stage, and the sound beat out of pipes built creatively into the proscenium, was just icing on the cake.  Did I mention the organ was complicated?  Mad props to Neil Jensen.

We still had to sit though a loop of pretty bad television style ads (the standards of which are lower in Oz than those played during daytime cable re-runs in the States) and the screen size would not have satisfied my super-sized American standards if I had sat much further back, but the experience was calm, classy and fun.  This is where I will be seeing all the movies from now.  It’s a good thing I found a new source of entertainment, since a third of my TV screen just went black.